This started out as something COMPLETELY DIFFERENT. Underneath this thing of beauty is some texture paste, layers of a paint, two layers of PaperArtsy tissue paper and quite a few coats of Satin Glaze!
It just didn't work so I painted all over it.
As you can see I'm still on a it of a neutral vibe. Again I used Moonlight Fresco paint and scraped some Pewter Fresco paint over that in the middle and French Roast on the edges.
I'd seen Lin Brown use foil and Sticky Embossing Powder at Stevenage and really liked the subtle burnished metal look it gave. So both of those went in the basket along with some of the new Eclectica Sara Naumann stamps.
Using the words from plate No. 8 I stamped in embossing ink, put the sticky embossing powder on let that melt and put the brown / copper foil on top (first time round I put the foil down the wrong way and it lifted the sticky powder, a quick check on Youtube got me sorted!).
Next I used the little line stamp from plate 1 around the edges of the words and used a dull gold foil sheet. I really love how the embossing powder stays sticky and you can just keep laying the foil, rubbing it down and lifting off (I imagine it's a bit like leg waxing, but I'm too chicken to try). You can't really see the images as they are on canvas, you just don't get a "clean" impression, but I love how they provide a good worn, shabby base for the foil.
I was really happy with it so far and had to leave it for the weekend as I has the most fantastic birthday weekend treat thanks to my husband (luxury hotel, fantastic food,rather a lot of bubbly thanks to the waitress on our table and England v Italy rugby at Twickenham). Today I had a day off to recover and of course, have some craft time.
My neutrals textiles box has been sat on my craft desk for ages so I jut pulled out some random bits of fabric sewed them together. glued this on and then glued the flowers on. I emptied my whole button jar out trying to find some buttons small enough for the centres but no luck, but then remembered my bejeweller and crystals. I'd forgotten how addictive it is to stick crystals on but managed I hope, to restrain myself (there are some lovely blues ones in the box so I think something blue will be next!).
The remember is stamped in Coffee Archival on a bit of driftwood and I think it just anchors it all (you'll let me know if it doesn't won't you?).
hugs
jo
xx
Sometimes it's nice not to have to think too hard, to just follow a view instructions (use PaperArtsy products) look at a few photographs for inspiration (Suzanne Czosek) and of you go.
So I did.
I still really wanted to use the London Nights, Mushroom Fresco paints, the grey lilac colours are beautiful, deep in tone but so soft. So I found a frame and gave it a good couple of coats of London Night.
Before I stamped any text I wanted to add another layer so I used Mushroom to stamp the lovely leaves from the new Lin Brown Eclectica stamps (ELB01). Once stamped I rubbed them back a bit and then went over the top of the whole frame with a couple of light washes of London Night. I didn't want then massively visible (and they aren't) but there is another layer.
For the text stamping I used one of favourite large text stamps from PaperArtsy Blackie's Children's Annual and Moonlight Fresco paint. Finally I used my favourite "when I want add a suggestion of grime" paint French Roast (with a touch of Chocolate Pudding) to just go round the edges. On top of this a smidge of Aquamarine Treasure Gold.
For the recess I used some purple metal and ran it through an embossing folder (love those trees). I put some Hey Pesto with a little bit of Moonlight over the top, let it dry for a bit and then gently wiped back to reveal the purple trees.
The wreath was a very gaudy bright gold Christmas decoration that I painted in Mushroom, then stippled on some French Roast and gently dabbed a bit of Aquamarine Treasure Gold in places. The bow is some sari silk and a pretty button with some hemp string threaded through and knotted.
Once I'd finished I realised the colours were the colours of the Women's Social and Political Union who had a high profile (if somewhat controversial and highly militant) role in getting women the vote (the First World War also had a big role to play in women getting the vote as well if I'm honest). Those women in the late nineteenth and early twentieth century did indeed use actions (and so did many other women in the latter part of the twentieth century) that allow me today to vote, to work whilst married, to get equal pay for the work I do, to be recognised as an individual and not as a chattel of the man that sired me or the man I married.
Not every woman in our modern world can live the same way as me, there are still many situations where women are not seen as individuals and treated appallingly. So in this week when we celebrate International Women's Day I give thanks to all those women (and men) before me who used deeds (and still use deeds) to change the world they live in.
hugs
jo